Showing posts with label the Boss. Show all posts
Showing posts with label the Boss. Show all posts

Monday, September 24, 2012

are you trying to seduce me?


Well the internet has gifted us today, as Joseph Gordon-Levitt somehow bested his previous SNL opening monologue by bringing less clothes and more dancing, Magic Mike style. Turns out in 2012 we have an awful lot to thank Channing Tatum for (Vulture thinks so too). And for those of us outside North America (thanks for nothin', NBC), Jezebel has gifs for days.

Then there was the incomparable Anne Helen Petersen breaking down the timeless appeal of the Boss.

And because good things come in threes, Kat Dennings looking like a goddamn bombshell at the Emmys:


Tuesday, June 21, 2011

the big man

As a good Boss-lovin' girl, I couldn't not tip my hat at Clarence Clemons' sad passing this weekend. As it so happens Saturday night (Sunday morning?) found me twirling in the divey-est of dive bars to Dancing In The Dark with a handsome man, which seems as fitting a tribute as any. Oh Clarence, you were the only sax player I could ever love.

Sunday, October 31, 2010

baby just one kiss will get these things for you



The stars are aligning for Sydney lovers of the holy alliance of musicians and film (um, everyone? Surely) - there's a Rolling Stones doco screening this week, Serge biopic starting the next and maybe most excitingly, The Promise: the making of Darkness On The Edge Of Town. My fave Springsteen record, plus the idea of a couple of hours in a darkened cinema in the company of The Boss is just too good to pass up.

Tuesday, August 17, 2010

hey sweetheart


My dream 70s boyfriends, appropriately under-dressed. (Jonathan Richman is the obvious third contender, but I'm running with the half-nakedness theme here) Sam beat me to the punch in singing the praises of the Boss, but I guess a little extra adulation can't hurt any. When I was working in a convenience store a friend referred to it as the Springsteen Dreaming period of my life, which made it seem exciting and even enviable. It wasn't.
But that's the great charm of Bruce, he makes shitty things appear romantic. Like hokey amusement park rides and sleazy gambling cities by the sea. He understands desperation and restlessness and dead-end towns. He's sympathetic to the secret hearts of girls. 
Plus - he can actually pull off double denim, which is like some kind of superpower. He's not called the Boss for nothing.


Then there's Richard Hell. When he and Tom Verlaine were choosing their new names, Tom went for the homage and he went entirely as his own creation. He's kind of my role model, which may be cause for concern, and his list of achievements is both impressive and highly underrated: he accidentally invented some of the most enduring iconography of punk, indirectly influenced the forming (and fashions) of the Sex Pistols, and was the founding member of two of New York's most notorious bands of the 70s (Television and The Heartbreakers) both of which he quit before they recorded their debut albums. He wrote the anthem Blank Generation and had a hand in Chinese Rocks. He starred as a version of himself in Susan Seidelman's first film Smithereens and was Madonna's doomed Atlantic City date in her follow-up, Desperately Seeking Susan. Lester Bangs loved him and thought he was full of shit. 
My love for him is equal parts hero-worship and lust. He's a dubious object of admiration, for sure. And he was more dangerously attractive and drug-addicted than I'll ever be.